Working with old manuscripts is both challenging and exciting.
Carefully checking sources, taking decisions, bringing unknown masterpieces back to life is a marvelous experience and I feel passion for it.
As a music editor and typesetter I work for important names and institutions such as Cambridge University Press, Kammerorkester Basel, Gustav Leonhardt, Christopher Hogwood, The Conservatorium van Amsterdam and certainly for myself and my own pleasure.
I also work upon request with the same spirit.